Sabtu, 24 Januari 2015

[I859.Ebook] Free Ebook The Fatal Shore - a history of the transportation of convicts to Australia 1787-1868, by Robert Hughes

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The Fatal Shore - a history of the transportation of convicts to Australia 1787-1868, by Robert Hughes

  • Sales Rank: #9315626 in Books
  • Published on: 2001
  • Binding: Hardcover

Most helpful customer reviews

2 of 2 people found the following review helpful.
A heart breaking story of the beginnings of the wonderful people of Australia
By Monarch Watcher
Very informative. A heart breaking story of the beginnings of the wonderful people of Australia. But a story that connects to other places around the world.

0 of 0 people found the following review helpful.
The definitive telling of an important story
By B McC
One of the more amazing, yet under appreciated historical stories I have ever been exposed to. The horrors of convict "transportation" serving as the genesis of the wonderful nation that is modern Australia is an amazing encapsulation of the highs and lows of the entire human experience. Maybe a little dense for the casual reader, but consistently well-written, well-researched, entertaining and thought-provoking.

0 of 0 people found the following review helpful.
Wonderful non-fiction story of the colonization of Australia using the ...
By George P. Purvis
Wonderful non-fiction story of the colonization of Australia using the British Convict System in the late 1700's and early 1800's. While the stories are somewhat horrific, and many of the convicts were political prisoners (mostly Irish), the writing is clear and honest. Highly recommended for those interested in Australia and/or the treatment of convicts in that time period in Britain and Australia.

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Selasa, 13 Januari 2015

[H589.Ebook] Free PDF Developing Musicianship Through Aural Skills: A Holistic Approach to Sight Singing and Ear Training, by Kent D. Cleland, Mary Dobrea-Grind

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Developing Musicianship Through Aural Skills: A Holistic Approach to Sight Singing and Ear Training, by Kent D. Cleland, Mary Dobrea-Grind

Developing Musicianship through Aural Skills, Second Edition, is a comprehensive method for learning to hear, sing, understand, and use the foundations of music as part of an integrated curriculum, incorporating both sight singing and ear training in one volume. Under the umbrella of musicianship, this textbook guides students to "hear what they see, and see what they hear," with a trained, discerning ear on both a musical and an aesthetic level.

Key features of this new edition include:

  • Revised organization, with exercises gradually progressing from the simple to more difficult, taking beginner students’ varied skill sets into account.
  • An enhanced companion website, with interactive training modules for students to practice core skills, and additional exercises, dictation lesson plans and worksheets for instructors
  • Enhanced coverage and a specific methodology for covering post-tonal material
  • Greater emphasis on developing improvisation skills and realizing lead sheets

The text reinforces both musicianship and theory in a systematic method, and its holistic approach provides students the skills necessary to incorporate professionalism, creativity, confidence, and performance preparation in their music education. The second edition of Developing Musicianship through Aural Skills provides a strong foundation for undergraduate music students and answers the need for combining skills in a more holistic, integrated music theory core.

  • Sales Rank: #807919 in Books
  • Published on: 2014-12-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 9.25" w x 1.50" l,
  • Binding: Paperback
  • 520 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
All about the Ear – Well-Integrated, Comprehensive Approach to Aural Musicianship
By frankp93
I received a free item to review.

It would be a mistake to regard ‘Developing Musicianship Through Aural Skills’ as just another sight-singing text/anthology with an isolated chapter or two of rhythmic studies.

The scope and pedagogic intent here are nothing short of building an aural skillset to carry musicians through professional careers as composers, arrangers, conductors, theorists, performers - including improvisers. The authors' recurring point is that aural comprehension in a tonal context is a must-have prerequisite for substantive creative musical work.

But that’s not to say the book is a pitch-only affair. Rhythm and meter are given equal footing from the very first module - composed entirely of examples of simple meter using basic subdivisions, and including anacrusis.

This material is not just meant to be ‘clapped through’ and forgotten. Students are asked to notate rhythmic elements, sound the rhythms without pitch, and ‘vocalize’ a particular voice, performing solo or with a partner. Many rhythmic examples are abstracted single and multi-voice works intended to prep the student for comparable literature before incorporating pitch elements.

As the degree of chromaticism in the melodic material progresses through successive modules so do the rhythmic challenges through complex meters, syncopation, polyrhythms and irregular divisions. The complexity rivals anything in Hindemith’s famous book of exercises for musicians.

There are often competing ideas on how best to teach aural skills in the context of tonal music, whether classical, jazz or popular. ‘Relative Pitch’ deals with abstracted intervals and chords often taught and drilled outside of actual musical context. Various vocalization techniques incorporate fixed and movable ‘Do’, functional numbers or neutral syllables.

The authors of ‘Developing Musicianship Through Aural Skills’ believe that pitch relationships should always be conceived, comprehended and executed within the context of diatonic harmony – either specific major/minor scales or derived from underlying chords in a particular harmonic setting.

They authors emphasize this method provides the student with a more solid connection to actual music, enhancing enthusiasm and the learning process itself. They favor ‘movable Do’ to label pitches but they’re not dogmatic about it and encourage students to embrace their teacher’s choice and above all strive for consistency.

The method of presentation in the book’s modules generally places rhythmic exercises first, followed by pitch patterns that emphasize tonal relationships (similar to scale fragments) to be studied outside of specific melodic contexts. The pitch patterns function as ‘lab studies’ allowing the student to focus on and absorb the tonal forces that later reveal their musical application in actual literature. It’s only after these patterns are comfortably assimilated that actual melodic material presented.

Once this feeling for tonal context is established by taking apart major and minor scales, then larger interval patterns, triads and seventh chords are introduced. But instead of learning them simply as abstract entities, the student incorporates them into an evolving ‘tonal consciousness’.

The musical examples are primarily 17th-19th century common practice classical literature – but not exclusively. Aside from later 20th century examples of post-tonal melody, there are a number jazz and various world/ethnic music examples.

There’s a module covering improvisation but this is improvisation in a rather free tonal classical context – think organ improvisation. Perhaps it’s something to stir the imaginations of classically-oriented composers and arrangers. While by no means a jazz theory book, jazz musicians whose interests include classical music might pick up some fresh ideas and perspective here.

And while the book is not a harmony text, astute readers will absorb much ‘applied harmony’ and the book makes an excellent supplement to a dedicated harmony text.

As mentioned, there’s an overall progression towards more and more chromatic material including mixed modes, extended and altered dominant chords, remote and chromatic modulations before the book makes the conceptual leap where few ear training books dare to tread: post-tonal music. Here in the final chapters the concept of ‘tonal context’ used throughout is refined, but never completely jettisoned.

The book presents what the authors deem to be two year’s worth of material - but that’s subject to reduction and restructuring to meet specific needs.In addition to the intended aural training, the book can serve additional practical needs: Composers and arrangers will find of treasure trove of melodic practice to emulate, set, vary and build upon. Instrumentalists can practice transposition and sight-reading.

The ‘Intermezzo’ sidebar essays inserted throughout the book on topics including ‘Professionalism’, ‘Musicality’, ‘Listening’ and ‘Perseverance’ are surprisingly interesting meditations on professional musical life that ring true.

The book actually calls to mind Ron Gorow’s excellent ‘Hearing and Writing Music’, geared more explicitly towards commercial musicians. In my opinion ‘Developing Musicianship Through Aural Skills’ has just as much to offer experienced musicians as it does aspiring students and is well-worth examining for a ‘how best to apply’ path to commit time to.

0 of 0 people found the following review helpful.
outstanding book
By U.S. Citizen
this is an outstanding book to go through all the basics of ear training for both the beginner and the professional.

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Senin, 12 Januari 2015

[S588.Ebook] Ebook Free First Lessons Lap Steel, by Jay Leach

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First Lessons Lap Steel, by Jay Leach

First Lessons Lap Steel is a fun and easy approach to learning the lap steel guitar. Author Jay Leach explains the basics of the instrument including bar control, picking, and string groups, with fun exercises to play. This book also includes several catchy tunes and an audio recording with play-along tracks. Includes access to online audio.

  • Sales Rank: #432668 in Books
  • Published on: 2015-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .10" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 40 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By kennybee
very easy follow

0 of 0 people found the following review helpful.
So far so good...
By NedBeatySquealed
I'm about 1/2 way through. It's very basic, just what I need as a beginner. The audio downloads are helpful, but instructions for getting them are not very explicit. There's a URL on the front page, but there are no instructions. All in all I'm happy.

0 of 0 people found the following review helpful.
Two Stars
By Ralph T.
Not worth the money

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Jumat, 09 Januari 2015

[T708.Ebook] Download Mornings in Jenin: A Novel, by Susan Abulhawa

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Mornings in Jenin: A Novel, by Susan Abulhawa

Mornings in Jenin is a multi-generational story about a Palestinian family. Forcibly removed from the olive-farming village of Ein Hod by the newly formed state of Israel in 1948, the Abulhejos are displaced to live in canvas tents in the Jenin refugee camp. We follow the Abulhejo family as they live through a half century of violent history. Amidst the loss and fear, hatred and pain, as their tents are replaced by more forebodingly permanent cinderblock huts, there is always the waiting, waiting to return to a lost home.

The novel's voice is that of Amal, the granddaughter of the old village patriarch, a bright, sensitive girl who makes it out of the camps, only to return years later, to marry and bear a child. Through her eyes, with her evolving vision, we get the story of her brothers, one who is kidnapped to be raised Jewish, one who will end with bombs strapped to his middle. But of the many interwoven stories, stretching backward and forward in time, none is more important than Amal's own. Her story is one of love and loss, of childhood and marriage and parenthood, and finally the need to share her history with her daughter, to preserve the greatest love she has.

Set against one of the twentieth century's most intractable political conflicts, Mornings in Jenin is a deeply human novel - a novel of history, identity, friendship, love, terrorism, surrender, courage, and hope. Its power forces us to take a fresh look at one of the defining conflicts of our lifetimes.

  • Sales Rank: #33256 in Books
  • Brand: Brand: Bloomsbury
  • Published on: 2010-02-15
  • Released on: 2010-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .96" w x 5.53" l, .63 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Great product!

From Publishers Weekly
Starred Review. In this richly detailed, beautiful and resonant novel examining the Palestinian and Jewish conflicts from the mid-20th century to 2002, (originally published as The Scar of David in 2006, and now republished after a new edit), Abulhawa gives the terrible conflict a human face. The tale opens with Amal staring down the barrel of a soldier's gun—and moves backward to present the history that preceded that moment. In 1941 Palestine, Amal's grandparents are living on an olive farm in the village of Ein Hod. Their oldest son, Hasan, is best friends with a refugee Jewish boy, Ari Perlstein as WWII rages elsewhere. But in May 1948, the Jewish state of Israel is proclaimed, and Ein Hod, founded in 1189 C.E., was cleared of its Palestinian children... and the residents moved to Jenin refugee camp, where Amal is born. Through her eyes we experience the indignities and sufferings of the Palestinian refugees and also friendship and love. Abulhawa makes a great effort to empathize with all sides and tells an affecting and important story that succeeds as both literature and social commentary. (Feb.)
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From Booklist
Abulhawa’s debut novel is a powerful portrayal of what might be labeled the “other side” of the Palestinian-Israeli conflict, the viewpoint of Palestinian refugees uprooted in 1948, when Israel became a state. Such as the Abulheja family, who were forced from the village of Ein Hod to a refugee camp in Jenin. We meet twin brothers Ismael, who is kidnapped by an Israeli soldier and raised Jewish, and Yousef, who becomes filled with hatred and joins the PLO. Through the eyes of Amal, their sister born in Jenin in 1955, we travel through three decades of conflict, starting in June 1967 and the Six Days’ War, during which Jenin is bombed. So begins the military occupation that rules their lives. Amal is sent to an orphanage for Palestinian refugees in Jerusalem in 1969 and later receives a scholarship to Temple University in Philadelphia. Finally, Amal returns to Jenin in 2002 with her daughter to show her the “one-square-kilometer patch of earth” where she grew up. An intimate look at the refugee existence by a daughter of refugees. --Deborah Donovan

Review

“In these lean times for the book industry, a second chance for a work of literary fiction is beyond fantastical--akin to seeing the Mona Lisa twitch. To resort to a quaint phrase from publishing days of yore, someone at Bloomsbury obviously believed in this book, and, politics aside for a moment, it's easy to see why. Abulhawa is a passionate writer whose limber, poetic style transports a reader deep inside the war-torn world she chronicles…. Melodramatic? Certainly. Polemical? Absolutely. But, Mornings in Jenin is also a terrifically affecting novel, thanks to Abulhawa's elegance as a writer. It's a novel to savor.” ―Maureen Corrigan, The Philadelphia Inquirer

“Abulhawa has created a compassionate, ground-level view of a Palestinian family caught in the heart-wrenching realities of life in the Middle East.” ―Dianna Marder, The Philadelphia Inquirer

“In the acknowledgments to her novel Mornings in Jenin (Bloomsbury, February), Susan Abulhawa recalls being inspired by Edward Said's lament "that the Palestinian narrative was lacking in literature." Published as Scars of David in 2006, Abulhawa's newly re-edited novel fills that gap, chronicling the development of the Jewish state and its consequences for local Arabs from a decidedly Palestinian perspective.” ―Tablet: A New Read on Jewish Life

“In this richly detailed, beautiful and resonant novel examining the Palestinian and Jewish conflicts from the mid-20th century to 2002 … Abulhawa gives the terrible conflict a human face … [and] makes a great effort to empathize with all sides and tells an affecting and important story that succeeds as both literature and social commentary.” ―Publishers Weekly (starred review)

“Audacious, no-holds-barred account of a Palestinian family's suffering during 60 years of Israeli occupation … A potent debut.” ―Kirkus Reviews

“Abulhawa's debut novel is a powerful portrayal of what might be labeled the "other side" of the Palestinian-Israeli conflict, the viewpoint of Palestinian refugees uprooted in 1948…. An intimate look at the refugee existence by a daughter of refugees.” ―Booklist

“Mornings in Jenin is a powerful and passionate insight into what many Palestinians have had to endure since the state of Israel was created. Susan Abulhawa guides us through traumatic events with anger and great tenderness too, creating unforgettable images of a world in which humanity and inhumanity, selflessness and selfishness, love and hate grow so close to each other.” ―Michael Palin

“Mornings in Jenin is a powerful and sensitive narrative that encapsulates the Palestinian experience with searing honesty and moving compassion. Susan Abulhawa displays linguistic and imaginative skills that single her out as a literary figure with tremendous promise… In both its specific Palestinian content and its larger human dimension, this novel is at once a challenge to complacency and ignorance as well as an affirmation of all that is enduring and valuable in the undefeated human spirit.” ―Hanan Ashrawi, founder and Secretary General of the Palestinian Initiative for the Promotion of Global Dialogue and Democracy (MIFTAH), and author of This Side of Peace: A Personal Account

“A powerful and heartbreaking book.” ―Esther Freud

“The voice of Susan Abulhawa is honest, every word is heartfelt, the aim to honour history and acknowledge its facts. This book is a ‘tour' waiting to take with it all kinds of readers: the already converted, the uninformed, and especially those who are fortunate enough to live secure lives.” ―Hanan al-Shaykh

“I finished Susan Abulhawa's novel last night. As I came to the end I could hardly bear to read it. But I did and I loved it ... what she's done is that great Jane Eyre thing: here is my life, here is a life, from the very beginning to its very end; here is her family and her heart, her people and her land. You travel with her on every page.” ―Carmen Callil

“I love Mornings in Jenin … It really is a great work--the epic novel the Palestinian tragedy has been waiting for.” ―Robin Yassin-Kassab

Most helpful customer reviews

180 of 197 people found the following review helpful.
Hard to take but harder to put down
By S. Nichols
What I write pales in comparison to what you will find in the writing style and story within the pages of this book. If I could adequately describe how this book made me feel, I still would not do the book justice.
Mornings in Jenin is the story of four generations of Palestinians living through the birth of Israel and the never ending war that follows. The story centers on Amal, a women who is born in a refugee camp. Her story is one of loss, love and redemption.
I asked to review this particular book because I have always questioned the war between Israel and Palestine. I am torn between understanding the need for a permanent homeland after living through the horrors of WW2 and the way in which the country of Isreal was settled. When I was younger I would ask my elders to explain the actions of the two nations but try as they might, none could truly explain both sides. The issue of the two nations within one setting is very polarizing. I would hear about the Palestine terrorist but not the people. As a result I know little about the human story of Palestinians and thought this book may offer some insight into their world.
Abulhawa's writing style is nothing short of amazing. Though this book is heartbreaking at every turn Abulhawa's words sing out. Yes, they sing out and you as a reader are caught up in her song. Never mind that at times the pain becomes unbearable, the song of her words compel you the reader to stay with her. A little past half way I wanted to give up; there was too much death and heartache, but I stuck with it as the story needed to be told. As much as it hurt to hear it, this story does need to be told. We need to hear about the aftermaths of war. Not because we need to take one side or the other, but because we should pause before we pick a side. Abulhawa shows us that war scorches the lives of those who lay in the path of triumph. No one really wins in war expect death and pain as Abulhawa so vividly tells us.
After finishing the book I sat for a moment trying to collect my thoughts. A part of me disliked having to deal with the emotions and questions that washed over me while another part was so taken by the character and lives in Mornings in Jenin I was almost sad to have come to the end of the tale. For a few moments I was not sure if I could recommend this book or not as it is so full of loss but it dawned on me that one of the reasons I kept reading was because it opened my eyes to what real sadness and pain are. Sometimes we Americans get so caught up in our daily drama we tend to forget we are blessed, even when we are struggling. Mornings in Jenin will make you think, question and maybe cry. It is a testament to a people that before now had no voice. I highly recommend this book.

79 of 89 people found the following review helpful.
A Must Read
By Yousef Munayyer
Mornings in Jenin, by Susan Abulhawa, is the story of one Palestinian family over four generations. It can be argued, however, that it is also a story about any and every Palestinian family. The novel begins in the picturesque village of Ein Hod in the north of Palestine. The Abulheja family leads the simple life that most Palestinian farmers led before their tragic dispossession in 1948. Love was plentiful in Ein Hod. Love for life, for family, for God, and for the land. This was the essence of a farming society for generation upon generation.

The Abulhejas and their countrymen are forced out of their villages and homes only to find refuge in foreign towns and lands. They find themselves in a refugee camp in Jenin, their lives totally turned upside-down after losing everything they knew in their simple but beautiful, Palestinian village.

As they struggle in the refugee camp, in the early period after their exile, olive harvest season approaches. Haj Yehya, the family's patriarch, sneaks across the armistice line to tend to his olive groves despite the threat of death from an Israeli bullet. When he returns to the camp in Jenin where his family anxiously waits, he brings them the fruits of his labor, and the labor of generations before him, plucked from their trees in their village. Nothing could stop this old man from returning to his village, but on his next trip, he never made it back to Jenin.

That was the last time any Abulheja attempted to return, but the dreams of return only grew stronger. Amal, with a long vowel (a name meaning "hopes" in Arabic), was born in the refugee camp of Jenin to Haj Yehya's son Hasan. Her older brother, Yousef, spent his early years in Ein Hod before the Nakba. Another older brother, Ismael, was taken from his mother's arms during the exodus from Ein Hod. It would be through Amal's eyes, however, that the family's story is told.

Susan Abulhawa's masterful writing is delightful to read. She writes with an element of metaphor, undoubtedly owing its origins to the Arabic language, which brings color and feeling to every page of this novel. The characters are well-developed and one cannot help but grow attached to them. After each tragedy, be it 1948, 1967, and 1982, a new generation of the family is born, providing hope not only for the characters, but also for the reader who will inevitably experience a sense of depression in parts of the book.

Amal is born into refugee life. She grows up in the shadow of a mother that was devastated by the loss of a child. In 1967, Amal experiences 6 days of horror in a hole in the ground that will forever change her family's life. The father that read poetry to her in the early hours of the morning, the scenes that lend the book its title, is never seen again. Her mother slips into dementia, and her brother Yousef will soon leave to join the resistance.

She grows up away from Jenin, and seeks an education in the United States. Her father's wish was that she be educated and a scholarship makes this possible. In her ghorba (life away from home) Amal experiences western life and the contradictions it poses for Palestinians like herself. She will eventually travel to a refugee camp in Lebanon to reconnect with her brother. In Lebanon, she remembers her past, her love for the land and her family, and starts a family of her own. And just as stability seems to be coming back to her life, anchored by the cornerstone of family, tragedy strikes again. The massacres at Sabra and Shatila will devastate the Abulhejas in 1982, just as 1967 devastated them in Jenin, just as 1948 devastated them in Ein Hod.

Amal raises her daughter, Sara, as a single mother. She wants her to have nothing to do with Palestine, politics, and the wars that scared Amal literally and figuratively for decades. But a twist of fate, which brings Amal's long-lost brother back into her life, sparks an interest in Sara who is now old enough to start hearing about the secrets of her mother's past.

Ultimately it will be Sara, and her generation, which will carry the hopes of Palestine and Palestinians after Amal is gone.

Mornings in Jenin is a must read. It is sure to be an eye opening experience for those who know little about Palestine and an eye-watering experience for those who do. Abulhawa's style is magnificent, descriptive and passionate. While the story is fictional, it is built on entirely plausible circumstances and entirely factual events and places.

Many have waited for a literary contribution capable of explaining the Palestinian experience to the West. The wait is over, Mornings in Jenin is it.

Yousef Munayyer is Executive Director of the Palestine Center. This book review may be used without permission but with proper attribution to the Center.

106 of 127 people found the following review helpful.
Heavy.
By Crease in the Page
I told my high-school English class about a wedding I had been to over the weekend. It was a joyful wedding, as weddings should be, but there was also deep sorrow over the family members who couldn't be there; it was a wedding of some refugee friends of mine whose family members had been killed oversees in a clash between Christians and Muslims. I told my students that I was still feeling emotional over the tears of my friends. Tarek, one of my students, raised his hand and asked whether it was a Christian or Muslim wedding. Knowing he was Palestinian, I hoped to help him see that both sides suffer in war, so I told him: "It was a Christian wedding." He cheered about their loss and high-fived another boy in the class who was also Muslim. I suppose I gave the wrong answer. I should have said, "It was a human wedding." That was in the year 2000. To this day I have wanted to understand more about how and why Tarek and others could be so angry toward Americans, Jews, and Christians. So I read this book.

I will say in the author's favor that she had a more balanced perspective than Tarek had. Although she is clearly angry and describes Jewish people as thieves, murderers, and terrorists, she also includes a few Jewish characters who are kind and compassionate. She seeks to understand why Jewish people have taken her land, and concludes that it was because they themselves had been mistreated and without a home; she attempts to have a merciful, balanced perspective. But she is still overtly angry, and she definitely led me as the reader to understand why she is so angry.

It is truly grotesque that I, an educated 34-year-old American citizen, who has even spent 6 years overseas, had never stopped to consider WHY Palestinians are angry with Israel and America. All I knew was that we Americans were nice people who had helped the Jewish people return to their homeland. Pretty ignorant. I guess our textbooks are still teaching a one-sided story.

Thanks to Susan Abulhawa's book, I now see the other side of the story.

The author follows three generations of fictional characters through every atrocity that happened to Palestine since World War II.

"Mornings in Jenin" is not a pleasant read. I doubt that anyone in their right mind could get through this whole book without having a motive of wanting to understand more about the Israeli-Palestinian conflict. I mean no one will pick this up at Costco and read it cover-to-cover just for the heck of it. Murder, murder, and more murder are what this book is about. It is something we should know. But who wants to? Honestly, I think this book could be made more palatable by telling more story, more romance, more life, and less horror. I feel bad saying that, because of course the truth is what we need to hear, but this book is really like reading the worst world news headlines over and over. I am horrified to think that men, women, and children are living like that (and dying like that), but it is human nature to avoid it--they would if they could, and so do we as readers.

This is a book you should read. I will say that. I'm glad I read it, and I'm glad I'm done reading it. It has definitely given me more perspective.

*Post Script written about 2 years after I read this book*: I now have a friend who is Palestinian. She says she has found forgiveness through knowing Jesus. After a horribly difficult childhood and early adulthood in Palestine, she found forgiveness. She married a Jewish man, who has an equally difficult past. According to her, there really are two sides to this story. The Palestinians have legitimate grievances, and so do the Jewish people. If you read this book, realize that it is one-sided, not the whole story.

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books

  • Sales Rank: #357004 in Books
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, .39 pounds
  • Binding: Paperback

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Senin, 05 Januari 2015

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THE KEY TO SUCCESSFUL PRINT PRODUCTION is an understanding of the entire workflow, from scanning and file creation through prepress and print production. Fully updated by author and publishing consultant Brian Lawler, The Official Adobe Print Publishing Guide, Second Edition, brings together the collective knowledge and wisdom of the experts at Adobe Systems in a simple, elegant presentation of the fundamental concepts and issues related to producing high-quality printed output. The book includes succinct, expertly illustrated explanations of the basic concepts and terminology of print production, along with Adobe’s tried and true guidelines, tips, and checklists for ensuring a successful print job.

  • Sales Rank: #757917 in Books
  • Brand: Lawler, Brian P.
  • Published on: 2005-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.12" h x .43" w x 7.38" l, 1.05 pounds
  • Binding: Paperback
  • 200 pages

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40 of 41 people found the following review helpful.
New to print? You need this book
By Halifax Creative User Group
I know a teeny tiny bit of print. Spot colours - hmm I did know that one, but since I don't do much print (or haven't til this year) I was always at a loss when it came ready for the printer. This book is an essential guide for the non print designer.

Terms, project proofing, even what a colour bar is (you know that strip of colour on the prepress and press proofs?) - it's all covered. There is a world of difference between making something for screen and print. If you have ever had someone ask to have a business card made, or a more complex print piece, and you usually export a 300 dpi TIFF and hope for the best this book helps take you further. Every introductory design course, not just a print course, should be covering this book to ensure that designers are well versed in all the verbage, processes and production issues that print demands.

A great chapter in this book covers project management which most will not think of to be in a book like this. The added value of having this chapter allows one who is not familiar with print to understand ones responsibilities to the client, the printer and themselves. Do not waste time creating something the client may love and the printer will not deliver - at your quoted budget anyway. It all intertwines and knowing what questions to ask is the key to a better project. And don't forget that File Checkoff List.

28 of 29 people found the following review helpful.
Not what I'd expected.
By N. Ali
This book wasn't what I'd expected from the reviews. It is largely a reference guide and less of a learning resource. Definitions are presented clearly, but then the application of things wasn't fully explained. For someone new to print publishing, this isn't a 'how-to' guide. It's more of a reference material and to discover new things about print publishing you may not have known about. I would recommend this tentatively to anyone who wants to bulk up their reference library on print publishing, but wouldn't recommend it to a absolute beginner wanting to know more about print publishing.

0 of 0 people found the following review helpful.
Five Stars
By barbara cruz
Good

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  • Sales Rank: #6774241 in Books
  • Published on: 2010
  • Binding: Unknown Binding

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